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    A powerful Irish film about the Great Famine reaches British cinemas

    Met is It is wrong to say that the Irish people are not commemorating the Great Famine. Since Ireland’s independence from Britain a century ago, generations of schoolchildren have probably had a population of three minutes on the island after one million people died of hunger and illness between 1845 and 1855. I learned that the population was reduced by one and perhaps doubled. Emigrate. The closest cause was the death of the potato crops that small homegrown farmers in the rocky western part of the country depended on for their survival. Among the background causes was a land-owning system controlled by the British Grande, where the country Swath was not interested in their tenants except as a source of income.

    Many parts of Ireland have monuments dedicated to this horrific episode in history. For example, in the remote areas of Mayonnaise, people walk to the monument and remember the fate of hundreds of sick and hungry people who were forced into a long march to relieve famine. The permanent exhibition in Dublin features photographs, testimonies and other relics of the time.

    Nonetheless, for the most severely affected places and communities, the pure horror of what happened is somewhat personally memorable, and the details feel too harsh to share with outsiders. It is inherited by the intimate tradition of the family. Internationally renowned poet and theologian Padraig o Tuama says one of his ancestors was probably the only member of his immediate family who survived the famine. Taken by a Protestant teacher at the age of seven, he left at the age of 14 and wasted the rest of his life looking for his relatives. Many other people living in the westernmost part of Ireland can tell such stories, but generally prefer to keep them private.

    That reluctance may be shifting now with the release of the Irish movie “Arahat” (“Monster”, photo) at the British cinema. Despite being filmed on a low budget, the film received a lot of attention at the festival circuit and was submitted by Ireland to the Academy Award for Best International Feature Film in 2021 (but not nominated). bottom). Examining the suffering of famine is the second movie in recent years. The first “Black ’47” (2018), following a British veteran of Ireland, realized that his community was hungry and embarked on revenge.

    The story of an individual involved in a wider tragedy, “Arahat,” is more solemn and slower in comparison. An intense and gloomy hero, a farmer and fisherman called Colman Sharkey, protests the rise in rates to Anglo-Irish landlords and warns that half of the local community could die within a few months. increase. After a shootout at the landlord’s house, he was mistakenly accused, but Colman was forced to flee and evacuated to a cave. Still pinned for his wife and little son he left behind, the fugitives hire hungry orphan girls, and they help each other to endure some terrible adversity.

    Donal au Heilai, who plays Colman, is an Irish speaker from western Ireland. After being hired by film director Tom O’Sullivan (also using the Irish version of his name, Thomas o Suilea Vine), Oh Heila weeks to achieve a credible debilitating look. Had to starve too. The relationship between him and the girl he employs, played by Saise Ni Chuinn, provides some of the most powerful moments in the film.

    But its most memorable feature is not just one character, but the many beautifully photographed landscapes of Ireland’s west coast. This is the poorest part of the island, but probably the richest part of the culture. Traveling anywhere along that coastline gives the feeling that the entire Gaelic world has fallen within the bounds of completely extinct hair, but at least in part somehow survived. The independent Irish government paid close attention to the remaining fragments.

    This movie draws the viewer into its shadow world and brings back the miracle of its patience. “Arahat” was shot mainly in the village of Lettermullan on the Galway coast, with the help of locals as an extra. It enjoys handsome grants, but the Irish world of creativity (a mixture of ordinary people in remote areas who have never lost their tongue and Dublin intellectuals like Mr. Sullivan) is small and intimate. Thing. In this movie, the community shared a part of its inner life with the wider world.

    The result is a tough and beautiful watch that gives viewers direct access to the dark hearts of the events that define the history of the British Isles, what many consider to be an insurmountable gap between Britain and Ireland. I created it.British newspaper economist— Famine was the result of the recklessness of the victims, gathered in the editorial that it helped increase the flow of Irish anger and inevitably separate political separation between Britain and Ireland.

    Attempts by the British government to apologize for the government’s policies that exacerbated famine and suffering have so far failed to make the right notes. It didn’t help when it was recently revealed that Tony Blair’s expression of regret, published in 1997, was actually written by a civil servant and never seen by the Prime Minister. Perhaps this film will help the British people sympathize with Ireland and get a little better understanding of the half-hidden well of Irish anger. ■■

    “Arahato” will be released at a British cinema on October 15th

    A powerful Irish film about the Great Famine reaches British cinemas Source link A powerful Irish film about the Great Famine reaches British cinemas

    The post A powerful Irish film about the Great Famine reaches British cinemas appeared first on California News Times.

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